Seaweed & solomon gundy: flotsam significant to the origin of writing and me
When you grow up in Halifax, you grow up knowing what 200-year-old gunpowder smells like.
You poke at beached jellyfish by the half-buried shipwreck on McNab’s Island, in the shadow of where they used to hang pirates at the harbour gate. Your school’s hot dog picnics are at the crumbling, overgrown ruins of British garrisons, where you scramble atop cannons asleep in the grass and rummage in their yawning mouths for stray grapeshot.
To grow up in Halifax is to have as much hooliganism in your blood as salt.
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Grampa Joe had a boat called Pygargus who lived at a yacht club on Dead Man's Island, a pile of mortar and rock that was once a jail. When I was little I used to skulk around inside the old prison, behind stone walls and iron gates, in cells filled with coils of rope and sails in heaps.
My Grampa Joe kept his pipe in his pocket. His basement was bottomless and yes, just like in The Dread Crew, he could fix anything.
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Dead Man's Island was the best place to go junk fishing. Grampa Joe attached a giant magnet to the end of a rope and every time we went sailing, my brother and I would walk along the piers jigging for junk.
We’d land all kind of fabulous things. Rusty old nails, bits of wire, coins. Sometimes the magnet would get caught on either the pier cables or a priceless treasure chest. Not that I'd ever land the latter. A treasure chest would be too heavy for a regular-grade junk fishing tackle. Everybody knows that.
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This province is perched on the edge of a meat-grinder sea that's craggy and churned up on the best of days. A good storm scrubs the sky. Fishing boats cling to the leeside of wharves, battened down, and we line up for batteries, water, propane. Salt water rips up asphalt. We scramble eggs on top of the woodstove. When the wind whips the shingles off again, candles flickering as wind buffets the house, we sleep in our toques, and know: we are so fortunate.